The Wax Girl
The Wax Girl is a Canadian Post-Rock project founded by Toronto-based producer and composer Alex Wright in 2012.
August 20th, 2014, 3:49 PM
  • Recording Diary. August 20, 2014.

    It’s been a while and a lot has happened since my last update back in May. To summarize, I took a break from recording to allow myself to focus on the release of my debut EP, Anosmic.

    Recording has slowly resumed. I’m not quite in the same headspace as I was back in April/May, but that might be a good thing.

    July 6th, 2014, 6:06 PM
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    May 1st, 2014, 8:43 PM
  • Recording Diary, Day 17 - Day 21

    I’ve been working incessantly on an arrangement for Beyond the Stars. Originally, I wrote all the layers using strings patches, then switched to a much less traditional sound by using a synth patch that I created in Reason. It’s now sounding more in line with what I had in mind, which is always very satisfying.

    A few other ideas have come to fruition in the last few days, as well.

    I’m tempted to spend some time to do some rough mixes of everything I’ve recorded so far, just to get a better sense of where everything is at.

    April 30th, 2014, 3:15 PM
  • beautifulmars:

    Entrance to Lethe Vallis

    Something you’ll never forget.

    (Source:, via ian1970uk)

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    April 26th, 2014, 2:15 PM
  • Recording Diary, Day 11 - Day 16

    As wonderful as things might seem since I began updating this recording diary for my debut album, the honest truth is that I’m struggling underneath the surface.

    But I’m ok with that.

    I’ve come to the realization that I’d rather starve as a composer than to go back to that depressing cycle of working a dreadful nine-to-five job, just to keep myself fed so I can continue to do the same unsatisfying work the next day. I’ll spare the feeling of a boss micromanaging my every move, putting pressure on me, causing me to stare at the ceiling in bed at night, wondering…

    Why am I doing this?

    If I’m going to lose sleep, I’d rather it be because I am consumed with writing new music.

    As a result of my desire to release an album within the next year, I may be on the verge of learning the true meaning of sacrifice. At least I know that I’ll be left with a sense of purpose, which to me, is extremely rewarding.


    April 20th, 2014, 7:13 PM
  • Recording Diary, Day 8 - Day 10

    Two more pieces are coming along; January Girl and Thousand-Yard Stare. The latter is shaping up to be the closing piece, which eases my mind, knowing that the album is starting to take shape with solid bookends.

    Along with the steady progress of the album, my running is improving and I can feel that my lungs are getting stronger. This week I’m going to attempt longer distances to see how my body responds.

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    April 17th, 2014, 6:40 PM
  • Recording Diary, Day 7

    More tracking today for a new song that I’m tentatively calling Who Controls the Past.

    An afternoon run by the waterfront helped me realize that I have a long way to go. Pace is key.

    Total: 3 km
    Temperature: 5°C
    Sunny and Windy

    April 16th, 2014, 7:48 PM
  • Recording Diary, Day 6

    Today I tracked parts for a new piece, which for now, doesn’t have a title. I’ll refer to it as 'No Name 1'.

    I’ve experienced some chills on playback. It has a sad feel and builds to a denouement of reverb-soaked ebows droning in harmony with a subharmonic bass.

    Although I’m happy with how everything is sounding, I need to get some distance from my work. Toronto weather has been cold (-1°C), but it’s supposed to warm up tomorrow so I plan to go for a 5km Harbourfront run. My aim is to run a marathon in October, so working towards that should help keep my mind clear.

    April 15th, 2014, 4:24 PM
  • Recording Diary, Day 1 - Day 5

    Been focusing on three songs to begin the recording process.

    1. Fallout - Simple, quiet, dark, but beautiful. Drumless.

    2. Nuclear Winter - Atmospheric, wintery, with mechanical drums for a backdrop.

    3. Beyond the Stars - Slowly evolves into a climax. Already thinking this has the potential to be the album opener.

    The basic elements of each piece are in place, so I’m thinking of moving on and coming back to them later on. I’m afraid of over-working them as they’re still very fresh and raw.

    March 29th, 2014, 7:28 PM
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